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Moody Center for the Arts: Thomas Struth's "Nature & Politics," through Monday; Dana Thater's "The Starry Messenger"; teamLab's "Flowers & People, Cannot be Controlled but Live Together - A Whole Year per Hour," through Aug. 13; Rice University, 6100 Main; 713-348-4772, moody.rice.edu.（Excerpt from the text）
Moody Center for the Arts: Opens 4 p.m. Friday. teamLab's "Flower's and People, Cannot be Controlled but Live Together - A Whole Year per Hour," through Aug. 13; Rice University, 6100 Main, Entrance 8; 713-348-4772; moody.rice.edu.（本文抜粋）
SINGAPURA: Selepas ditutup selama dua tahun bagi kerja-kerja ubah elok, rotunda kaca di Muzium Negara akan dibuka semula pada Sabtu ini (10 Dis).Rotunda itu juga menempatkan secara tetap dua pameran tentang landskap flora dan fauna di Singapura.（Excerpt from the text）
CAMBRIDGE — Thanks to its many innovative research institutions and to the long-term contributions of organizations like Boston CyberArts, this city is a great place to see interactive, projection-based art.October has been especially rich for this kind of work. The second annual Illuminus festival — a spectacular laser and light show organized by Jeff Granz — was held on Lansdowne Street, as part of HUBweek, on the night of Oct. 10. A week later, Joseph Ketner of Emerson College organized “Electric Pilgrims," a group show featuring outdoor projections on building facades and TV screens set up on Channel Center Street in South Boston.Both events had to contend with the weather and were limited to one night. That’s not the case with “Parallax," Shahzia Sikander’s ravishing animated projection at Tufts University Art Gallery, which I reviewed a few weeks ago. Nor is it the case with a new show at Harvard’s Radcliffe Institute. Both are indoors, and ongoing.Called “What a Loving and Beautiful World," the Radcliffe show is in the new Johnson-Kulukundis Family Gallery in Byerly Hall. It is immersive, interactive, and genuinely entrancing.It’s by teamLab, a large consortium of artists, programmers, engineers, computer graphics animators, mathematicians, and graphic designers, formed in 2001 and based in Tokyo.There are three parts to teamLab’s display at the Radcliffe Institute (which, by the way, has an impressively ambitious art program). The biggest and most memorable is a video installation in a room you walk into, and then have a hard time leaving — it’s that engrossing.Calligraphic characters, in both Japanese and Chinese script, descend slowly from the low ceiling. Reach out toward them and they shrink away, before transforming into the thing they connote. The character for “mountains," for instance, turns into animated imagery of a mountain range; the same for snow, rain, and so on.The biggest and most interactive portion of the show surrounds visitors.The imagery, traditional in appearance (which is to say painted with brush and ink), spreads magically and seemingly spontaneously across the gallery’s three walls. Bare winter branches alternate with birds in flight, butterflies, and floating flower petals.A rainbow appears, then slanting rain, then snow — or the same, but in a different order. Dark, inky effusions contrast with a splendidly isolated moon, a sun, mountains and waves, a blue dawn, an enflamed sunset.The writing was executed by a professional calligrapher who goes by the name Sisyu. The work’s conception is attributed to her and to teamLab. The accompanying soundtrack, the kind of atmospheric but essentially flavorless music you hear while getting a back massage, is by Hideaki Takahashi.It’s hard to explain how charming and at times transporting the work is. The interactive conceit — your awareness that the imagery is responding to the willed movements of your and your fellow viewers’ arms — is tempered by a wondrous sense of words and pictures appearing and spreading in ways beyond your control.You lift your arm to make something happen, but a second later, some other image swells across the screen as a result of someone else’s actions. The whole thing feels likably democratic. Yet compositionally, the visuals never feel crowded or chaotic.As in traditional Asian art, there is a beautiful tension between emptiness and fullness, and between elements that splinter and those that cohere. Outside this main gallery are wall-mounted screens showing two more works, both featuring calligraphy by Sisyu, animated and ornamented by her teamLab colleagues. One called “Life Survives by the Power of Life" is a six-minute digital animation that begins, hypnotically, with pooling black ink marks appearing out of nowhere on a light, inchoate ground.The marks morph magically into bare branches, which are soon covered with snow, all in a slowly rotating three-dimensional space. Gradually, the snow melts and is replaced by buds, leaves, flowers, and a profusion of life — “weeds in wheels" shooting “long and lovely and lush," as Gerard Manley Hopkins put it in “Spring."The second, “Cold Life," began as a kind of peeling away of the virtual surface of the previous work, so that we see its computer graphics “bones," so to speak: wireframe models with dense abstracted data rendered in three dimensions, in a dominant palette of electric blue.The imagery in all three teamLab works feels clichéd and sentimental, while its stated themes — nature and humanity — are perhaps unhelpfully vague. But somehow, the mash-up of traditional and new, handmade and high tech, pulls you in, and you succumb to these works’ inner logic.Bring kids, if you can. They will love it.Art ReviewTEAMLAB AT RADCLIFFE: What a Loving and Beautiful WorldAt Johnson-Kulukundis Family Gallery, Byerly Hall, Radcliffe Yard, Harvard University, through Nov. 14. 617-496-1153, www.radcliffe.harvard.edu/event/2015-teamlab-exhibition
There’s a clear, unspoken rule enforced in most museum and gallery settings: Don’t touch the art.But currently, that’s not the case inside the Johnson-Kulukundis Family Gallery at Harvard University’s Radcliffe Institute for Advanced Study, where a new exhibition is very much dependent on visitors’ touch.Titled “teamLab at Radcliffe: What a Loving and Beautiful World," the interactive exhibition features projections of Chinese and Japanese characters that represent elements from the natural world and cascade down the walls of the gallery. When activated by touch, the characters trigger images of their meanings, as well as sounds, to emerge.As they’re triggered around the space by multiple people, the images can also interact with each other, constantly creating new animated environments that cannot be repeated.TeamLab, the group from Japan that created the digital artwork, is an interdisciplinary consortium that consists of artists, programmers, engineers, animators, mathematicians, architects, and designers. Their multimedia installations have appeared around the world, rendering dreamlike, responsive environments such as a floating flower garden and a cosmos-like space filled with thousands of LEDs that give visitors the illusion of standing among stars.For the exhibition at Radcliffe, teamLab collaborated with professional calligrapher Sisyu and musician Hideaki Takahashi. It’s the inaugural show at the Johnson-Kulukundis Family Gallery, which was recently redesigned and renamed following a gift from Harvard alum Maryellie Kulukundis Johnson and her husband Rupert H. Johnson Jr.“teamLab at Radcliffe: What a Loving and Beautiful World" is free and open to the public Mondays through Saturdays, noon to 5 p.m., through November 14 at the Johnson-Kulukundis Family Gallery of Byerly Hall, 8 Garden St., Radcliffe Yard, Cambridge. For more info, visitradcliffe.harvard.edu.