キッズイベントに、掲載。2023年4月
捕まえて集める恐竜の森(Galaxy & チームラボ)体験レポート!
チームラボがつくり出した美しい森を歩きながらスマホでさまざまな種類の恐竜を捕まえ、観察し、自分だけの図鑑をつくることができる学びの展覧会「Galaxy & チームラボ:捕まえて集める恐竜の森」が、2023年4月8日(土)よりGalaxy Harajuku(東京都渋谷区)で開催! 開催前日に行われた内覧会に行ってきました!(本文抜粋)
キッズイベントに、掲載。2023年4月
チームラボがつくり出した美しい森を歩きながらスマホでさまざまな種類の恐竜を捕まえ、観察し、自分だけの図鑑をつくることができる学びの展覧会「Galaxy & チームラボ:捕まえて集める恐竜の森」が、2023年4月8日(土)よりGalaxy Harajuku(東京都渋谷区)で開催! 開催前日に行われた内覧会に行ってきました!(本文抜粋)
TABI LABOに、掲載。2023年3月28日
アート集団「チームラボ」が、Galaxy Harajukuと共同で開催する展覧会《捕まえて集める恐竜の森》を2023年4月8日(土)から開催する。 同展覧会は、自らの身体で探索し、発見し、捕まえ、そして、自ら捕まえたものをきっかけに興味を広げていくことを主眼とした新しい学びのプロジェクトの第3弾。 大好評のまま先週末3月26日(日)で閉幕した海の生き物を捕まえ、観察する《捕まえて集める恵みの海》に続くかたちでスタートする。(本文抜粋)
designboomに、掲載。Mar 18, 2023
Tokyo’s Gyre Gallery is launching its latest exhibition, ‘Artistic Experiments in the Age of Hyper-Technological Reproduction ー What Will NFTs Change About Art?’ Running from March 24 to May 21, 2023, the event spotlights the nature of NFTs and the many ways in which their recent boom could alter the art scene as we know it. An NFT, short for Non-Fungible Token, is a unique cryptographic asset driven by blockchain technology; it cannot be replicated or traded and features a clear record of its owner. From Damien Hirst to teamLab and Rafaël Rozendaal, the exhibition gathers an impressive pool of artists and introduces their NFTs in three chapters: Sharing, Aura of the Simulacra, and Transnational Power. Each theme corresponds to the fundamental prerequisites for any artwork: Ownership/Contract, Creation, and Exhibition.
ERR.eeに、掲載。Mar 17 2023
Näitust "teamLab. Hõljuvad õied igavikumeres" on Kumu kunstimuuseumi suures saalis külastanud 64 700 inimest. Kuigi näitus jääb kuni 7. maini avatuks, on see juba ületatud Kumu vahetuvate näituste publikurekord, mida alates 2018. aastast hoidis Michel Sittowi isikunäitus.(Excerpt from the text)
the japan timesに、掲載。Feb 23, 2023
The massively popular and family-friendly art collective teamLab is trying its hand at the high brow. A new production of Giacomo Puccini’s final opera, the stormy and bloody “Turandot,” comes to Tokyo after its 2022 premiere in Geneva. The production, performed by Tokyo Nikikai Opera, runs Feb. 23 to 26 at Tokyo Bunka Kaikan, with musical direction by Diego Matheuz, stage direction by Daniel Kramer and stage design and scenography by teamLab. (Excerpt from the text)
THE WALL STREET JOURNAL.に、掲載。Mar 01, 2023
The Visionary: Toshiyuki Inoko Founder of art collective TeamLab Tokyo National Museum: They have a great collection of Japanese and Oriental classical art; TeamLab’s alternative museum offers interactive fun. (Excerpt from the text)
REUTERSに、掲載。Feb 25, 2023
TOKYO, Feb 24 (Reuters) - A kaleidoscopic light show has helped reinvent Giacomo Puccini's opera "Turandot" currently playing in Tokyo - a production which aims to bring people back into theatres now that the pandemic has eased. The opera, reimagined by American director Daniel Kramer in collaboration with teamLab, the Japanese group famed for its digital art installations, employs dazzling displays of lasers and three-dimensional light sculptures. (Excerpt from the text)
yahoo!newsに、掲載。Feb 25, 2023
I have loved teamLab since the minute I first saw their work, because for me, they mix something ancient with something futuristic. You cannot see this on Netflix. You cannot get this on social media. It is a three-dimensional, immersive, operatic experience where both the sound and the lasers and the projection and the light are vibrating through you live. It’s an immersive experience. It’s totally different.(Excerpt from the text)
TIme Outに、掲載。Feb 24, 2023
In 1924, prominent Italian composer Giacomo Puccini wrote an opera about a Chinese emperor endeavouring to find a suitor for his unmarried daughter, Princess Turandot. Puccini died before he could complete the final act of his last masterpiece, which left the door open for subsequent generations of composers and artists to offer their interpretations of the show. Now, almost a century after Puccini's death, art collective teamLab has made its foray into scenography with a new staging of Turandot in collaboration with director Daniel Kramer. (Excerpt from the text)
LEONに、掲載。2023年2月24日
何事も“初体験”がその後を左右します。たとえば私は鰻がイマイチ苦手なんですが、それはこどものころに食べた鰻がベタベタと甘くて、あまりおいしくなかったから。最初に美味しい鰻を食べていたら、今頃は大の鰻好きだったかもしれません。同様に、歌舞伎や相撲、バレエやオペラ、ミュージカル……なんでもそうじゃないかしら。最初に「すてき!」「面白い!」と思えれば、その後の興味の持ちようが変わってきます。(本文抜粋)