How digital art is transforming the museum experience
From floating orchids to an infinite crystal universe, award-winning art collective teamLab continues to push the boundaries of immersive art. (Excerpt from the text)
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From floating orchids to an infinite crystal universe, award-winning art collective teamLab continues to push the boundaries of immersive art. (Excerpt from the text)
CNN Indonesia -- Pengunjung meramaikan museum Massless di Beijing, China, di hari perayaan Natal pada hari Minggu (25/12) kemarin.(Excerpt from the text)
Annoverato fra i tre più rilevanti giardini paesaggistici del Giappone, insieme al giardino Kenroku-en di Kanazawa e al Kōraku-en di Okayama, il Kairaku-en emerge tra le attrazioni della città di Milo, situata a nord di Tokyo nella prefettura di Ibaraki. Realizzato a partire dal 1841, su iniziativa di un feudatario locale, è particolarmente noto per la presenza di oltre 3.000 esemplari di susino. (Excerpt from the text)
“We dissolve the boundaries between the artworks. Theytranscend, relate and intermix. By experiencing that, you mightthink that everything in this world may be borderless, and thatthe world without boundaries is beautiful … Our intention is tochange people’s standard of beauty, even if it requires a great dealof time."(Excerpt from the text)
How a global art collective is changing the way we view the world(Excerpt from the text)
La Villette de Paris va accueillir jusqu’au 9 septembre 2018 un univers immersif comme de la réalité virtuelle créé par les Japonais de teamLab. Cette réalité virtuelle interagit avec le public dans cette expérience numérique !(本文抜粋)
If Tokyo-based art collective teamLab had its way, it would transform entire cities into immersive, interactive artworks that know no boundaries. Using light as paint and the entire world as its canvas, it encourages viewers to live inside its magical, dramatic and otherworldly digital displays, helping them to escape reality through art.(Excerpt from the text)
Du théâtre kabuki, des peintures sur rouleaux du XVIIe siècle… Cent soixante ans après les avoir popularisés en Occident, la France rend hommage aux arts nippons avec une cinquantaine de manifestations. Une aubaine pour le Japon, de plus en plus isolé sur la scène internationale.(Excerpt from the text)
PARIS: Sejak seniman impresionis pertama jatuh cinta kepada lukisan cap blok kayu, Jepun menjadi sumber inspirasi dan tarikan ramai di Perancis yang mendorong Tokyo melancarkan gelombang budaya besar-besaran.(Excerpt from the text)
Digital exhibitions are all the rage in Paris at the moment. After the Klimt exhibition at the l'Atelier des Lumières, ‘teamLab’ is the latest unmissable experience, which evolves as the visitor moves around.(Excerpt from the text)
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