teamLab: Continuous Life and Death at the Now of Eternity

2018.11.15(Thu) - 2019.1.13(Sun)

Pace Palo Alto Palo Alto, California

Solo Exhibition

PLAY MOVIE

Reversible Rotation - Black in White

The Spatial Calligraphy rotates in the artwork space, every aspect rotating in the same direction. But because of the special characteristics of Ultrasubjective Space, it can appear to be rotating clockwise or counterclockwise.

Spatial Calligraphy is calligraphy drawn in space, a form of calligraphy that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.

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PLAY MOVIE
youku

Continuous Life and Death at the Now of Eternity

In the flow of time of reality flowers are born, bloom, then in the course of time they wither and die. The flowers are eternally repeating the process of life and death.
The world of the artwork becomes brighter with the sunrise where it is located, and becomes darker as the sun sets. The flowers that bloom change throughout the period of one year.
The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the artwork in real time. As a whole, it is continuously changing, and previous visual states are never replicated. The picture at this moment can never be seen again.

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Waves of Light

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.
This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

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PLAY MOVIE

Dark Waves

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.

This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

View More
PLAY MOVIE
youku

Reversible Rotation - Continuous, Cold Light

This work forms a continuous whole, it has neither end nor center and surrounds the exhibition space. The Spatial Calligraphy rotates in the artwork space, every aspect rotating in the same direction. But because of the special characteristics of Ultrasubjective Space, it can appear to be rotating clockwise or counterclockwise.

Spatial Calligraphy is calligraphy drawn in space, a form of calligraphy that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions.

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PLAY MOVIE

Enso

Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an Enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle Enso. teamLab has been working on Spatial Calligraphy since the collective formed. A new interpretation of traditional calligraphy, Spatial Calligraphy reconstructs calligraphy in three-dimensional space and expresses the depth, speed and power of the brush stroke.

In Zen, ensō is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual.

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PLAY MOVIE
youku

Enso - Cold Light

Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an Enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle Enso. teamLab has been working on Spatial Calligraphy since the collective formed. A new interpretation of traditional calligraphy, Spatial Calligraphy reconstructs calligraphy in three-dimensional space and expresses the depth, speed and power of the brush stroke.
In Zen, enso is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual.

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PLAY MOVIE
youku

Impermanent Life

In the background, cherry blossoms bloom and scatter, the cycle of life repeats. From the center of the background a circle is born which increases in size with a constant rhythm. Depending on the circle the light and darkness of the background world changes.

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PLAY MOVIE
youku

Peony Peacock

Fleeting Flower Series. Everything exists on a fragile continuity of life that knows no boundaries and has continued for a long, long time. The image of a peacock appears in peony flowers that are born and blossom. In time the flowers scatter. At the moment each flower scatters that part of the peacock scatters.

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PLAY MOVIE
youku

Peony Peacock

Fleeting Flower Series. Everything exists on a fragile continuity of life that knows no boundaries and has continued for a long, long time. The image of a peacock appears in peony flowers that are born and blossom. In time the flowers scatter. At the moment each flower scatters that part of the peacock scatters.

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관람안내

전시회장 정보

전시 명: teamLab: Continuous Life and Death at the Now of Eternity
Solo Exhibition

기간: 2018.11.15(Thu) - 2019.1.13(Sun)

개관시간: Tues – Sat 11:00 – 19:00
Sun 11:00 – 17:00

휴관일: Monday

관람료: Free

URL: https://www.pacegallery.com/

오시는 길

주소: Pace Palo Alto
2530, 229 Hamilton Ave, Palo Alto, CA 94301, United States

문의

게시자에

홍보 자료

작가

teamLab

아트 컬렉티브. 2001년 국제적인 활동 시작. 집단적 창조를 통해 아트, 사이언스, 테크놀로지, 디자인과 자연의 교차점을 모색하는 학제적 그룹. 아티스트, 프로그래머, 엔지니어, CG 애니메이터, 수학자, 건축가 등 다양한 분야의 전문가들로 구성되어 있습니다.

teamLab은 아트를 통해 인간과 자연, 자신과 세계와의 새로운 관계를 모색하고자 합니다. 디지털 기술은 물질로부터 아트를 해방시키고, 경계의 초월을 가능하게 했습니다. 인간과 자연 사이에, 우리와 세계 간에 경계는 존재하지 않는다고 생각합니다. 모든 것은 기나긴 세월의, 경계 없는 생명의 연속선상에 가까스로, 그리고 기적적으로 존재하고 있습니다.

teamLab의 작품은 시드니 뉴사우스웨일스 주립 미술관, 호주 애들레이드 사우스오스트레일리아 미술관, 샌프란시스코 아시아 미술관, 뉴욕 아시아 소사이어티, 이스탄불 보루산 현대미술관, 멜버른 빅토리아 국립 미술관, 헬싱키 Amos Rex가 영구 소장하고 있습니다.

teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art International.

Biographical Documents

teamlab.art

근처의 전시

teamLab: Continuity

Coming Soon

아시아 미술관, 샌프란시스코, 캘리포니아

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