teamLab: Continuous Life and Death at the Now of Eternity

2018.11.15(Thu) - 2019.1.13(Sun)

Pace Palo Alto Palo Alto, California

작품

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Reversible Rotation - Black in White

The Spatial Calligraphy rotates in the artwork space, every aspect rotating in the same direction, but depending on a viewer’s perception, it can appear to be rotating clockwise or counterclockwise.
Spatial Calligraphy offers a contemporary interpretation of traditional Japanese sho (calligraphy) in an abstract space. The artwork reconstructs Japanese sho in three dimensional space and expresses the depth, speed and power of the brush stroke.

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youku

Continuous Life and Death at the Now of Eternity

In the flow of time of reality flowers are born, bloom, then in the course of time they wither and die. The flowers are eternally repeating the process of life and death.

The world of the artwork becomes brighter with the sunrise where it is located, and becomes darker as the sun sets. The flowers that bloom change throughout the period of one year.

The artwork is not a pre-recorded image that is played back; it is created by a computer program that continuously renders the artwork in real time. As a whole, it is continuously changing, and previous visual states are never replicated. The picture at this moment can never be seen again.

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Waves of Light

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.
This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

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Dark Waves

The movement of waves in water is simulated in a computer-generated three-dimensional space. The water is expressed as a continuous body after calculating the interactions of hundreds of thousands of particles. To visualize the waves, the behavior of the particles of the water was then extracted and lines were drawn in relation to the movement of the particles. The wave created in a 3-D space is then turned into an artwork in accordance with what teamLab refers to as ultrasubjective space.
In premodern Japanese painting, oceans, rivers, and other bodies of water were expressed as a series of lines. These lines give the impression of life, as though water was a living entity.

This form of expression leads us to question why premodern people sensed life in rivers and oceans. Also, why did they behave as if they themselves were a part of nature? Perhaps something can be discovered by fusing the fixed objective world of today’s common knowledge with the subjective world of premodern people.
While viewing this artwork, if we feel a sense of life in the collection of lines—what can be called the subjective world of premodern people—then perhaps this is one aspect of objective recognition.
When viewing this artwork, as opposed to watching waves shot with a video camera, people may feel that the barrier between themselves and the waves disappears. They feel immersed in the work, perhaps even feeling life in the collection of lines, as if the waves are luring them in. Perhaps we can find a connection to the way premodern Japanese people perceived the world and consequently behaved toward the world.
If we regard ourselves as a part of nature, and consider nature not just as something to be observed, we might join premodern people in perceiving rivers and oceans as living entities. This is a way of seeing the world that lures us in and allows us to feel that there is no boundary between ourselves and nature.

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PLAY MOVIE
youku

Reversible Rotation - Continuous, Cold Light

The Spatial Calligraphy rotates in the artwork space, every aspect rotating in the same direction, but depending on a viewer’s perception, it can appear to be rotating clockwise or counterclockwise. Both ends of the artwork are connected creating a space that is continuous in a single direction.
Spatial Calligraphy offers a contemporary interpretation of traditional Japanese sho (calligraphy) in an abstract space. The artwork reconstructs Japanese sho in three dimensional space and expresses the depth, speed and power of the brush stroke.

View More
PLAY MOVIE

Enso

Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an Enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle Enso. teamLab has been working on Spatial Calligraphy since the collective formed. A new interpretation of traditional calligraphy, Spatial Calligraphy reconstructs calligraphy in three-dimensional space and expresses the depth, speed and power of the brush stroke.

In Zen, ensō is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual.

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youku

Enso - Cold Light

Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an Enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle Enso. teamLab has been working on Spatial Calligraphy since the collective formed. A new interpretation of traditional calligraphy, Spatial Calligraphy reconstructs calligraphy in three-dimensional space and expresses the depth, speed and power of the brush stroke.
In Zen, enso is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual.

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PLAY MOVIE
youku

Impermanent Life

In the background, cherry blossoms bloom and scatter, the cycle of life repeats. From the center of the background a circle is born which increases in size with a constant rhythm. Depending on the circle the light and darkness of the background world changes.

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youku

Peony Peacock

Fleeting Flower Series. Everything exists on a fragile continuity of life that knows no boundaries and has continued for a long, long time. The image of a peacock appears in peony flowers that are born and blossom. In time the flowers scatter. At the moment each flower scatters that part of the peacock scatters.

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youku

Peony Peacock

Fleeting Flower Series. Everything exists on a fragile continuity of life that knows no boundaries and has continued for a long, long time. The image of a peacock appears in peony flowers that are born and blossom. In time the flowers scatter. At the moment each flower scatters that part of the peacock scatters.

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관람안내

홍보 자료

전시 명: teamLab: Continuous Life and Death at the Now of Eternity
기간: 2018.11.15(Thu) - 2019.1.13(Sun)
개관시간: Tues – Sat 11:00 – 19:00
Sun 11:00 – 17:00
휴관일: Monday
주소: Pace Palo Alto
2530, 229 Hamilton Ave, Palo Alto, CA 94301, United States
관람료: Free
URL: https://www.pacegallery.com/

회사 소개

teamLab

teamLab (f. 2001) is an art collective, interdisciplinary group of ultratechnologists whose collaborative practice seeks to navigate the confluence of art, science, technology, design and the natural world. Various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects form teamLab.

teamLab aims to explore a new relationship between humans and nature, and between oneself and the world through art. Digital technology has allowed art to liberate itself from the physical and transcend boundaries. teamLab sees no boundary between humans and nature, and between oneself and the world; one is in the other and the other in one. Everything exists in a long, fragile yet miraculous, borderless continuity of life.

teamLab’s works are in the permanent collection of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex of Helsinki, Finland.

Biographical Documents
teamlab.art

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