Featured on 搜狐, Mar 12, 2019
琶醍惊现梦幻仙境!东京挤爆50万人次、米兰排队8小时的teamLab!被封为“全球10大必看展览”空降广州啦!
号外!号外! 被封为“全球10大必看展览”、 东京挤爆50万人次、米兰排队8小时! 引爆排队人潮的teamLab 终于就要空降广州啦!!!(Excerpt from the text)
Featured on 搜狐, Mar 12, 2019
号外!号外! 被封为“全球10大必看展览”、 东京挤爆50万人次、米兰排队8小时! 引爆排队人潮的teamLab 终于就要空降广州啦!!!(Excerpt from the text)
Featured on ELEVEN, Mar 10, 2019
Set in a former airport, a new cultural landmark in the West Bund area will hold three exhibitions as part of its grand opening in late March, Zhang Kun reports in Shanghai. Anew cultural landmark called Tank Shanghai, an art space which comprises five repurposed giant oil tanks, will open in the West Bund area along the Huangpu River on March 23. The tanks that make up this art space used to be part of the facilities of Longhua Airport, the city's first aviation hub.(Excerpt from the text)
Featured on STARS AND STRIPES, Mar 6, 2019
It takes only one touch to send waves of colored light sweeping across the ground in front of Hiroshima Castle. The walled garden in front of the 430-year-old structure has been turned into a glowing, interactive, nighttime wonderland honoring 400 years since the Asano Clan made Hiroshima its home.(Excerpt from the text)
Featured on JAPANTODAY, Mar 3, 2019
TOKYO–––Japanese art collective, teamLab, use a mix of digital technology and physical 3D spaces to create an interactive experience like no other. Their fantastical exhibitions, which have taken place all over the world, offer a unique chance to get fully immersed in art.(Excerpt from the text)
Featured on NATIONAL GEOGRAPHIC TRAVELER, May, 2019
that respond to visitors and generate immer sive, dreamlike realms. In "Universe of Water Particles on a Rock where People Gather" (pictured), visitors enter a kaleidoscopic, light-filled space and position themselves under a virtual waterfall, altering its flow and changing the appearance of the art work. As soon as they think they've grasped the vision, it transforms into something else.(Excerpt from the text)
Featured on MINCHO, 2019年3月
Close your eyes. Visualize yourself cross ing a wide open field. It could be a meadow. Or a wood, sheltered by a thick, abundant vegetation. Close your eyes and stay still. What do you see? The wind is calm, smooth. It makes the thin flower stems sway like ocean waves. The ground beneath your feet is soft and slightly wet. It accepts your weight, the faltering vehemence of your steps.(Excerpt from the text)
Featured on Time Out, Mar 1, 2019
If you’re planning to visit the ever-popular Mori Building Digital Art Museum Epson teamLab Borderless in Odaiba between now and April 30, you’re in luck. Timing couldn’t be better as the museum has some special themed lights planned in celebration of the upcoming sakura season (check the forecast here).(Excerpt from the text)
Featured on MY MODERN MET, Feb 27, 2019
Japanese art and tech studio teamLab calls itself a collective that “explores a new relationship between humans and the world through art that transcends boundaries.” Known for its immersive installations that use technology to create responsive art, teamLab’s newest piece plays on traditions while looking toward the future. Forest of Resonating Lamps – One Stroke, Cherry Blossoms is a new, spring-themed immersive experience on view as part of the teamLab Borderless digital art museum in Tokyo.(Excerpt from the text)
Featured on travel4news, Feb 27, 2019
1 MORI Building Digital Art Museum / Tokio Im MORI Building Digital Art Museum teamLab Borderless in Tokio kommt der Besucher aus dem Staunen und Fotografieren nicht mehr heraus. So steht er zum Beispiel in einem Meer aus mitschwingenden Lampen. Auf Bildschirmen, Wänden und am Boden bewegen sich die Kunstwerke frei durch den Raum und um ihn herum. Dadurch scheint es so, als ob er sich mitten in einem Fischschwarm oder einem Sonnenblumenfeld befindet.(Excerpt from the text)
Featured on ARTNEWS, Feb 27, 2019
Although they sell their wares for often eye-popping prices, art galleries have become known for admission-free accessibility. Collectors may pay a premium to cart off a painting, but the general public can walk in and take a look without laying out a penny. But immersive digital art “experiences” have recently called that model into question, and Pace Gallery, which has ten locations in seven cities around the world, has recently experimented with charging admission for certain shows in Palo Alto, California, and Beijing. (Excerpt from the text)