Proliferating Immense Life in the Rain - A Whole Year per Year
teamLab, 2020, Interactive Digital Installation, Sound: Hideaki Takahashi
PLAY MOVIE
From October 18
From October 18
From October 18
Until October 17
Until October 17
Until October 17
June 1 - August 31
May 1 - July 31
April 1 - June 30
Until May 31
Until May 31
Until Apr 30
Until Mar 31
Until Mar 31
Until Mar 31
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Proliferating Immense Life in the Rain - A Whole Year per Year
teamLab, 2020, Interactive Digital Installation, Sound: Hideaki Takahashi
The flowers change throughout the seasons with the flow of time in the real world, repeating the cycle of life and death, growth and decay. When people go to sit in a chair to view the work, the flowers scatter, wither and die.
The real time in which the viewer exists and the time of the continuous life of the flowers, all of these different times intersect and overlap, while the viewer’s body, the city, and the world of the artwork remain connected. The artwork space is an overlap of different times and space.
The space of the artwork is created with what teamLab refers to as Ultrasubjective Space. In contrast to spaces that are created through, or in other words cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the flowers are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.
The real time in which the viewer exists and the time of the continuous life of the flowers, all of these different times intersect and overlap, while the viewer’s body, the city, and the world of the artwork remain connected. The artwork space is an overlap of different times and space.
The space of the artwork is created with what teamLab refers to as Ultrasubjective Space. In contrast to spaces that are created through, or in other words cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the flowers are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body.