CNA 中央通訊社登載。(Jun 24, 2026)
世界即教室!實踐大學攜日美名校teamLab探索設計 - 中央社 CNA
世界就是我們學習的教室!實踐大學國際事務處於2026年5月31日至6月7日舉辦「全球研究(Global Studies)」全英密集式移地教學課程,攜手日本武藏野美術大學、美國密西根大學及國際知名藝術科技團隊teamLab,以跨校、跨域、跨國的合作模式,帶領學生走進東京,在真實世界中探索設計、科技與社會議題的連結。(Excerpt from the text)
CNA 中央通訊社登載。(Jun 24, 2026)
世界就是我們學習的教室!實踐大學國際事務處於2026年5月31日至6月7日舉辦「全球研究(Global Studies)」全英密集式移地教學課程,攜手日本武藏野美術大學、美國密西根大學及國際知名藝術科技團隊teamLab,以跨校、跨域、跨國的合作模式,帶領學生走進東京,在真實世界中探索設計、科技與社會議題的連結。(Excerpt from the text)
Artlyst登載。(Jun 23, 2026)
This is particularly so with the final installations, ‘Massless Suns and Dark Suns’ and ‘Massless Sun and Surface of the Sky’ by teamLab. These immersive works present spheres of light and darkness that appear to take form in space, yet have no physical substance. Shaped by light, environment and perception, they invite reflection on the nature of existence. teamLab’s collaborative practice, which seeks to navigate the confluence of art, science, technology, and the natural world, serves as an exemplar for the approach this exhibition takes as a whole. This is one of seeking to transcend boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time, seeing everything that exists in a long, fragile yet miraculous, borderless continuity. As such, teamLab’s installations provide an appropriate and wonder-filled conclusion to a sublime show that focuses on the sublime.(Excerpt from the text)
My Modern Met登載。(Jun 13, 2026)
Opening September 22, 2026, in Chicago, teamLab: Everything Exists in Infinite Continuity brings together some of the Japanese collective's most ambitious digital and immersive artworks.(Excerpt from the text)
la Repubblica登載。(Jun 08, 2026)
The final galleries, Midnight and The Darkest Hours, immerse visitors in realms of folklore, dreams, and perception. Here, works by renowned artists such as Paula Rego and Joan Miró culminate in two immersive installations by the international art collective teamLab. Part of teamLab’s “Cognitive Sculpture” series, these works challenge traditional notions of art’s physical existence by creating experiences that can only be fully encountered in person.(Excerpt from the original Spanish text)
Euronews登載。(Jun 08, 2026)
The final galleries, Midnight and The Darkest Hours, descend fully into the realms of folklore, dreams and perception. Here, works by renowned artists including Paula Rego and Joan Miró culminate in two stunning immersive installations by the internationally acclaimed art collective teamLab. Both works are part of their "Cognitive Sculpture" series. "It is quite hard to explain in words. The best way is to be inside the space," says the global brand director of teamLab, Takashi Kudo.(Excerpt from the text)
FACT Magazines登載。(Jun 08, 2026)
At its heart are two installations: Helios by Luke Jerram presents a monumental sculptural Sun, assembled from over 400,000 images of the solar surface; and teamLab’s Massless Suns and Dark Suns, which is an immersive environment that surrounds and responds to visitors.(Excerpt from the text)
LONDONIST登載。(May 29, 2026)
Saatchi Gallery's exhibition unfolds as a journey through a complete 24-hour cycle, moving from dawn through daylight to the depths of the night, with each gallery representing a different time of day. It includes historical works by Joan Miro and Joseph Wright of Derby, through to contemporary artists. Highlights include Luke Jerram's Helios, a glowing six-metre replica of the sun based on NASA photography, and an interactive work by TeamLab. (Excerpt from the text)
Blooloop登載。(Apr 09, 2026)
Inside the new teamLab Phenomena attraction in the Saadiyat Cultural District Called teamLab Phenomena, the silvery structure is perched right on the coast of a sandy man-made island. The beguilingly beautiful building looks like a beached spaceship with its wavy walls and sweeping staircase leading to a circular central entrance. It is the first-ever building purpose-built for teamLab, and the group has made the most of its 17,000 square metres.(Excerpt from the text)
Time Out Tokyo登載。(Apr 03, 2026)
But the National Museum can’t rest on its laurels if it’s to hold on to the No 1 spot, as teamLab Planets, No 24 on the global list, is already threatening to overtake the Ueno oldie. The digital-art depository in Toyosu welcomed 2,516,719 guests in 2025, a year that saw the museum unveil 20 new works. Among the standout pieces is ‘Catching Collecting Extinct Forest’, a dazzling, rainbow-hued world where long-gone animals roam. The museum even has an outpost of a Kyoto-based Bib Gourmand ramen joint.(Excerpt from the text)
Travel Weekly登載。(Apr 02, 2026)
Brighten up a cultural jaunt in Japan with the latest interactive art museum opening from teamLab. teamLab – the international art collective that originated in Tokyo 25 years ago – does these immersive art installations brilliantly. (Excerpt from the text)